Aiko Miyawaki

Line as air

Aiko Miyawaki was a Japanese artist whose work treats sculpture as a field of relations rather than an isolated object. Working with thin metal wires, stainless-steel threads, and delicate rods, she explored how line can register gravity, air, and light at their most subtle thresholds.

After studying literature and living in Paris and Milan, Miyawaki developed a practice that moved between painting, drawing, and three-dimensional installation. By the 1960s she had begun creating works in which fine metal elements were stretched between points or allowed to drape in arcs, forming volumes that seem to hover between tension and release.

Her celebrated Utsurohi series suspends slender rods or wires in space so that they respond to light and the viewer’s movement. The forms are minimal—curves, slight bends, repeated intervals—but they activate the room, making air and distance feel almost tangible. Rather than asserting mass, the works trace the boundary between presence and disappearance.

Miyawaki often worked on site, adjusting installations to the specific architecture they occupied. Exterior pieces register wind and weather; interior works respond to the scale and light of galleries or atriums. Across media, she remained committed to a sense of delicacy that nonetheless carries strong structural clarity.

Over several decades she exhibited widely in Japan, Europe, and the United States, contributing to conversations around postwar abstraction and environmental sculpture while maintaining a distinctly personal language of suspended line and atmospheric tension.

Aiko Miyawaki was a Japanese artist known for sculptures and installations made from thin metal wires and rods that explore tension, gravity, and the perception of space. Her work has been exhibited internationally and is represented in major museum collections.

Aiko Miyawaki was a Japanese artist known for delicate sculptures and installations made from thin metal wires and rods. Her work explores line, tension, and atmosphere, using minimal means to activate space and light.

In Observatory