ART–CON–OKE

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Georgia O’Keeffe

Spatial Construction

Landscape as clarity

ART–CON–OKE

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Landscape as clarity

Georgia O’Keeffe

ART–CON–OKE

Landscape as clarity

Index Code:

ART–CON–OKE

Orgin:

Sun Prairie, USA / Abiquiú, USA

Field Notes:

landscape as clarity · color as proportion · stillness as force

Defining Moment:

Early 1910s — landscape as clarity; terrain turned architectural

Georgia O’Keeffe

(

1887–1986

)

jor-juh oh-keef

O’Keeffe built a world of distilled geography.

Desert, bone, and flower become architectures of light — emotion reduced to proportion.

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In her world, landscape is structure, and stillness a form of power.

Structural Focus

Reduction with Atmosphere

Form is reduced without becoming cold or purely rational. Minimal means are used to produce calm, resonance, or emotional density.

In Georgia O’Keeffe’s work, this approach appears where form is distilled into essential rhythm and scale.

Position

Reduction with Atmosphere

Form is reduced without becoming cold or purely rational. Minimal means are used to produce calm, resonance, or emotional density.

In Georgia O’Keeffe’s work, this approach appears where form is distilled into essential rhythm and scale.

Spatial Reduction

Space is clarified through subtraction, compression, and restraint.

Systems of Clarity

Order and coherence arise through disciplined systems and constraints.

Space is structured through openings, intervals, and boundary conditions.

Proportion organizes coherence through measured intervals, scale, and relation.

Atmosphere accumulates through calibrated light, tone, and spatial pacing.

Form operates as a site for material, perceptual, and conceptual inquiry.

American Abstraction

Abstraction develops through scale, surface, and spatial ambition.

Luminous Painting

Light becomes the primary agent of surface and depth.

Observartory

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Structual Relations

The following practices are connected through shared structural decisions in form, material, and spatial logic.

Caspar David Friedrich

Landscape as reflection

light as inner architecture

In Dialogue

Vivienne Westwood

Rebellion as form

Frederic Edwin Church

Landscape as architecture