Index Code:

ART-STA-MIR

Orgin:

Field Notes:

Speakers LEDs and furniture are connected so that rhythm and vibration draw invisible geometry in the room

Defining Moment:

The installations where flicker and hum are synchronized turning exhibition space into a tuned electronic chamber

Haroon Mirza

(

1977–

)

ha-roon meer-za

Mirza built a world where audio, circuitry, and light interlock into pulsating structures.

His works reveal electricity as spatial force.

Structural Focus

Perception as Interface

The work activates through viewing conditions rather than fixed form. Movement, position, distance, or duration alters what is perceived. Vision becomes an interface rather than a passive act.

In Haroon Mirza’s work, this approach appears where sound and light activate perception through duration.

Position

Perception as Interface

The work activates through viewing conditions rather than fixed form. Movement, position, distance, or duration alters what is perceived. Vision becomes an interface rather than a passive act.

In Haroon Mirza’s work, this approach appears where sound and light activate perception through duration.

Material Intelligence

Material behavior actively determines structural decisions.

Systems of Clarity

Order and coherence arise through disciplined systems and constraints.

Proportion

Proportion organizes coherence through measured intervals, scale, and relation.

Space

Space is structured through openings, intervals, and boundary conditions.

Structure

Structure holds the work through rules, joins, and controlled relationships between parts.

Art

Form operates as a site for material, perceptual, and conceptual inquiry.

Contemporary

Current practice engages inherited structures under present conditions.

Haroon Mirza

Structural Focus

Perception as Interface

Position

Perception as Interface

Observartory

In Dialogue

Haroon Mirza

Structural Focus

Perception as Interface

Position

Perception as Interface

Observartory

By Structural Focus

In Dialogue