Anthony Hill

Geometry as logic

Anthony Hill was a British artist associated with constructivism and concrete art. Working primarily in relief, he assembled geometric compositions from panels, rods, and other elements, often in monochrome or limited color ranges.

Trained as a painter, Hill shifted toward relief construction in the 1950s, influenced by European constructivist and systematic art movements. His works use right angles, grids, and modular units to create shallow structures that sit between painting and sculpture.

Materials such as Perspex, aluminum, and wood are cut and assembled with clear attention to proportion and interval. Surfaces may appear uniform at a distance, but closer inspection reveals subtle offsets, overlaps, and shadow lines that activate the wall plane.

Hill was also a theorist and writer, engaging deeply with mathematical and logical frameworks. Some works follow explicit combinatorial or serial systems, while others test variations within self-imposed rules.

Over the course of his career, he contributed to exhibitions and publications that positioned British concrete and constructivist art within an international network, even as his practice remained quietly rigorous and self-contained.

Anthony Hill was a British artist known for constructivist reliefs that use geometric modules and shallow depth to explore structure, proportion, and systemic variation. His work has been exhibited in the United Kingdom and abroad and forms an important part of postwar abstract art.

Anthony Hill was a British artist associated with constructivism and concrete art, creating geometric reliefs from modular elements in shallow depth. His rigorously structured works explore proportion, systems, and the architecture of the wall plane.

In Observatory