ART–SYS–HIL

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Spatial Construction

Geometry as logic

ART–SYS–HIL

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Geometry as logic

ART–SYS–HIL

Geometry as logic

Index Code:

ART–SYS–HIL

Orgin:

London, UK

Field Notes:

geometry as logic · structure as clarity · proportion as reason

Defining Moment:

Early 1950s — geometry as thought; order set the language

Anthony Hill

(

1930–2020

)

an-tho-nee hil

Hill built a world where algebra found form.

His reliefs and structures merge mathematical logic with tactile order — precision humanized through touch.

‍

In his world, geometry thinks.

Structural Focus

Rule-Based Freedom

Constraints or systems generate variation. Freedom arises through adherence to rules rather than expressive choice.

In Anthony Hill’s work, this approach appears where mathematical and perceptual rules generate variation through disciplined constraint.

Position

Rule-Based Freedom

Constraints or systems generate variation. Freedom arises through adherence to rules rather than expressive choice.

In Anthony Hill’s work, this approach appears where mathematical and perceptual rules generate variation through disciplined constraint.

Form is governed by rigid rules, limits, and non-negotiable constraints.

Systems of Clarity

Order and coherence arise through disciplined systems and constraints.

Structure holds the work through rules, joins, and controlled relationships between parts.

Proportion organizes coherence through measured intervals, scale, and relation.

Form operates as a site for material, perceptual, and conceptual inquiry.

Geometry and logic replace expression and illusion.

Form follows engineering logic, social purpose, and material efficiency.

Observartory

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Structual Relations

The following practices are connected through shared structural decisions in form, material, and spatial logic.

Movement as order

Precision as calm

In Dialogue

Geometry as rhythm

Geometry as ethics