Webster built a world where nature became geometry.
Soil, salt, and beeswax form minimalist volumes grounded in care for the earth.
In her world, structure grows.
Webster built a world where nature became geometry.
Soil, salt, and beeswax form minimalist volumes grounded in care for the earth.
In her world, structure grows.
Environmental framing is often treated as context or backdrop; in Meg Webster’s work, it functions structurally to organize perception across ground, enclosure, and scale.
Soil, salt, and beeswax are arranged so that form interacts with its surroundings, guiding attention and registering relational depth. Spatial conditions are shaped through material and site rather than narrative or decoration.
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