ART–SYS–GOL

This is some text inside of a div block.

Philipp Goldbach

Material Intelligence

Erasure as memory

ART–SYS–GOL

This is some text inside of a div block.

Erasure as memory

Philipp Goldbach

ART–SYS–GOL

Erasure as memory

Index Code:

ART–SYS–GOL

Orgin:

Cologne, Germany

Field Notes:

erasure as memory · structure as trace · light as history

Defining Moment:

Early 2000s — erasure as structure; form became language

Philipp Goldbach

(

b. 1978

)

fee-lip gold-bahk

Goldbach built a world where disappearance reveals truth.

His erased texts and photographic works treat memory as architecture — the ghost of thought rendered physical.

‍

In his world, absence carries weight.

Structural Focus

Reduction with Atmosphere

Form is reduced without becoming cold or purely rational. Minimal means are used to produce calm, resonance, or emotional density.

In Philipp Goldbach’s work, this approach appears where incremental variation structures surface.

Position

Reduction with Atmosphere

Form is reduced without becoming cold or purely rational. Minimal means are used to produce calm, resonance, or emotional density.

In Philipp Goldbach’s work, this approach appears where incremental variation structures surface.

Material Intelligence

Material behavior actively determines structural decisions.

Systems of Clarity

Order and coherence arise through disciplined systems and constraints.

Material behavior governs form through weight, resistance, and constraint.

Proportion organizes coherence through measured intervals, scale, and relation.

Form operates as a site for material, perceptual, and conceptual inquiry.

Language, instruction, and proposition function as the work itself.

Photography operates as a structural and documentary system.

Observartory

No projects yet.

Structual Relations

The following practices are connected through shared structural decisions in form, material, and spatial logic.

Surface acting as spatial structure.

light as tactile surface

In Dialogue

time as material

Reflection as critique