ART–MIN–PAR

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Stephen Parrino

Gestural Lineages

Destruction as structure

ART–MIN–PAR

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Destruction as structure

Stephen Parrino

ART–MIN–PAR

Destruction as structure

Index Code:

ART–MIN–PAR

Orgin:

New York, USA

Field Notes:

destruction as structure · rebellion as form · entropy as language

Defining Moment:

Early 1980s — destruction as form; order clarified

Stephen Parrino

(

1958–2005

)

stee-ven pah-ree-no

Parrino built a world where rebellion met precision.

Torn canvases and twisted aluminum reframe Minimalism through violence — structure collapsing into energy.

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In his world, failure becomes design.

Structural Focus

Process as Form

The method of making defines the structure. Repetition, accumulation, or procedure becomes the visible logic of the work.

In Stephen Parrino’s work, this approach appears where deformation tests the limits of painting.

Position

Process as Form

The method of making defines the structure. Repetition, accumulation, or procedure becomes the visible logic of the work.

In Stephen Parrino’s work, this approach appears where deformation tests the limits of painting.

Constructed Surfaces

Surfaces are built through layering, joining, and controlled fabrication.

Systems of Clarity

Order and coherence arise through disciplined systems and constraints.

Gesture functions as structure through disciplined, repeatable action.

Structure holds the work through rules, joins, and controlled relationships between parts.

Form operates as a site for material, perceptual, and conceptual inquiry.

Everyday materials disrupt conventional meaning and authorship.

Post-Minimalism

Minimal systems loosen through process, material, and contingency.

Observartory

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Structual Relations

The following practices are connected through shared structural decisions in form, material, and spatial logic.

Grey as structure

In Dialogue

Matias Faldbakken

Collapse as critique