ART–SYS–PFE
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Paul Pfeiffer
Atmospheric Practices
Erasure as structure
ART–SYS–PFE
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Erasure as structure
Paul Pfeiffer
ART–SYS–PFE
Erasure as structure
Index Code:
ART–SYS–PFE
Orgin:
Honolulu, USA / New York, USA
Field Notes:
erasure as structure · perception as system · spectacle as void
Defining Moment:
Early 1990s — reflection as absence; order clarified

Paul Pfeiffer

( 
b. 1966
 )
pahl fy-fehr

Pfeiffer built a world from erasure.

Through digital manipulation, he removes figures from sports, concerts, or films — leaving spectacle emptied of subject.

What remains is architecture: space performing emotion without actor.

‍

In his world, visibility becomes haunting, and absence constructs truth.

Position

Perception as Interface

The work activates through viewing conditions rather than fixed form. Movement, position, distance, or duration alters what is perceived. Vision becomes an interface rather than a passive act.

In Paul Pfeiffer’s work, this approach appears where mediation reframes spectacle.
Chromatic Fields
Color fields operate as spatial and structural organizers.
Systems of Clarity
Order and coherence arise through disciplined systems and constraints.
Atmosphere
Atmosphere accumulates through calibrated light, tone, and spatial pacing.
Proportion
Proportion organizes coherence through measured intervals, scale, and relation.
Structure
Structure holds the work through rules, joins, and controlled relationships between parts.
Art
Form operates as a site for material, perceptual, and conceptual inquiry.
Conceptual Media
Media operates as a system for transmitting ideas rather than images.
Contemporary
Current practice engages inherited structures under present conditions.
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Structual Relations
The following practices are connected through shared structural decisions in form, material, and spatial logic.

By Structural Focus

ⓘ
How are these related?
Quiet Modernism relates practices through how form is organized rather than how it appears. Connections emerge through shared structural conditions — such as repetition, constraint, spatial organization, material behavior, or duration — even when outcomes differ.

A single grouping may reflect multiple overlapping structural concerns.
Rose Uniacke
Surface acting as spatial structure.
Hitoshi Nomura
time as material

In Dialogue

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