Process as Form

Process as Form describes practices where method determines structure. Repetition, accumulation, or procedure becomes visible logic, allowing form to emerge through sustained action rather than compositional decision.

Atlas Instances

Process as Form

In Tadashi Kawamata’s work, this approach appears where temporary structures expose instability.

Process as Form

In Kazuo Shiraga’s work, this approach appears where bodily force structures material action.

Process as Form

In William Anastasi’s work, this approach appears where chance structures composition.

Process as Form

In Takesada Matsutani’s work, this approach appears where latex pressure records repetition.

Process as Form

In Stephen Parrino’s work, this approach appears where deformation tests the limits of painting.

Process as Form

In Cecilia Vicuña’s work, this approach appears where impermanence, gesture, and site generate structure through fragile process.

Process as Form

In Bruce Conner’s work, this approach appears where assemblage and film accumulate structure through decay, repetition, and temporal pressure.

Process as Form

In Irma Blank’s work, this approach appears where repetition replaces language through writing-as-drawing.

Process as Form

In Alan Saret’s work, this approach appears where wire and found materials organize themselves through tension and balance rather than design.

Process as Form

In Chung Sang-Hwa’s work, this approach appears where monochrome surfaces are built through repetitive physical labor.

Process as Form

In Alan Shields’s work, this approach appears where flexible materials disrupt geometric order, allowing structure to remain provisional rather than fixed.

Process as Form

In Jiro Yoshihara’s work, this approach appears where disciplined experimentation structures material action.