Time as Material

Time as Material describes practices where duration, delay, accumulation, or aging is integral to form. The work unfolds gradually, revealing structure through sustained attention rather than immediate presentation.

Atlas Instances

Time as Material

In Hubbard / Birchler’s work, this approach appears where narrative is structured through temporal disjunction.

Time as Material

In Roman Opałka’s work, this approach appears where counting records time.

Time as Material

In Mika Tajima’s work, this approach appears where data registers environmental duration.

Time as Material

In On Kawara’s work, this approach appears where duration replaces image.

Time as Material

In Tehching Hsieh’s work, this approach appears where duration defines form.

Time as Material

In Peter Dreher’s work, this approach appears where repetition records duration.

Time as Material

In Hiroshi Sugimoto’s work, this approach appears where long exposure compresses duration into stillness.

Time as Material

In Hitoshi Nomura’s work, this approach appears where environmental phenomena are recorded through duration.

Time as Material

In Fujiko Nakaya’s work, this approach appears where fog transforms space through duration and shifting visibility.