Antunes built a world where craft traditions become spatial diagrams — woven lines, knots, and suspensions translating history into structure.
Her installations clarify form as inherited geometry.
Antunes built a world where craft traditions become spatial diagrams — woven lines, knots, and suspensions translating history into structure.
Her installations clarify form as inherited geometry.
Translation is often treated as reinterpretation or reference. In Leonor Antunes’ work, historical craft and material systems function structurally so that form persists across context and technique. Forms are suspended, scale shifts, and relational intervals encode inherited logic so that structure emerges from the continuity of material and gesture rather than from explicit patterning.
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