Hatoum built a world where domestic objects turn threatening — grids electrified, furniture destabilized.
Her works reveal the body’s precarious relation to space.
Hatoum built a world where domestic objects turn threatening — grids electrified, furniture destabilized.
Her works reveal the body’s precarious relation to space.
Constraint is often understood as limitation; in Mona Hatoum’s work, it functions structurally to intensify presence through tension and restriction.
Grids, barriers, and destabilized objects channel perception so that the body must navigate and register spatial conditions deliberately. Edges, thresholds, and access points are calibrated to heighten awareness without relying on gesture or spectacle.




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