FAS–SYS–MIY

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Takahiro Miyashita

Spatial Construction

Nostalgia as structure

FAS–SYS–MIY

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Nostalgia as structure

Takahiro Miyashita

FAS–SYS–MIY

Nostalgia as structure

Index Code:

FAS–SYS–MIY

Orgin:

Tokyo, Japan

Field Notes:

nostalgia as structure · melancholy as rebellion · music as design

Defining Moment:

Fall 2006 — Grunge and tailoring collided; rebellion made devotional

Takahiro Miyashita

(

1997 – 2009

)

tah-kah-hee-ro mee-yah-shee-tah

Miyashita built a world of haunted Americana filtered through Japanese precision.

His clothes felt like soundtracks — distorted, nostalgic, devotional.

Each collection balanced rebellion and longing, turning music into architecture.

Structural Focus

Process as Form

The method of making defines the structure. Repetition, accumulation, or procedure becomes the visible logic of the work.

In Takahiro Miyashita’s work, this approach appears where layering records wear and time.

Position

Process as Form

The method of making defines the structure. Repetition, accumulation, or procedure becomes the visible logic of the work.

In Takahiro Miyashita’s work, this approach appears where layering records wear and time.

Spatial Reduction

Space is clarified through subtraction, compression, and restraint.

Systems of Clarity

Order and coherence arise through disciplined systems and constraints.

Space is structured through openings, intervals, and boundary conditions.

Structure holds the work through rules, joins, and controlled relationships between parts.

Gesture functions as structure through disciplined, repeatable action.

Form is constructed around the body through material, proportion, and movement.

Current practice engages inherited structures under present conditions.

Observartory

No projects yet.

Structual Relations

The following practices are connected through shared structural decisions in form, material, and spatial logic.

Yoshishige Saito

Form as listening

Rebellion as system

In Dialogue

Rebellion as collage

Brutality as beauty