ART-OAT-RIC
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Gerhard Richter
Atmospheric Practices
image as uncertainty
ART-OAT-RIC
This is some text inside of a div block.
image as uncertainty
Gerhard Richter
ART-OAT-RIC
image as uncertainty
Index Code:
ART-OAT-RIC
Orgin:
Germany
Field Notes:
Squeegeed fields blurs and precise copies each show different ways surface compresses time and distance
Defining Moment:
The grey and color chart works where controlled procedures flatten memory into measured optical structures

Gerhard Richter

( 
1932–
 )
gair-hard rick-ter

Richter built a world where painting oscillates between clarity and blur — abstraction and representation held in unstable balance.

His surfaces turn perception into shifting structure.

Position

Perception as Interface

The work activates through viewing conditions rather than fixed form. Movement, position, distance, or duration alters what is perceived. Vision becomes an interface rather than a passive act.

In Gerhard Richter’s work, this approach appears where image oscillates between clarity and dissolution through procedure.
Constructed Surfaces
Surfaces are built through layering, joining, and controlled fabrication.
Systems of Clarity
Order and coherence arise through disciplined systems and constraints.
Atmosphere
Atmosphere accumulates through calibrated light, tone, and spatial pacing.
Material
Material behavior governs form through weight, resistance, and constraint.
Proportion
Proportion organizes coherence through measured intervals, scale, and relation.
Art
Form operates as a site for material, perceptual, and conceptual inquiry.
Post-War Abstraction
Abstraction responds to rupture through scale, gesture, and structure.
Abstraction
Visual structure is distilled into autonomous, non-representational form.
Image Credits
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Context

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Observartory

Gerhard Richter — Grey Paintings
Structual Relations
The following practices are connected through shared structural decisions in form, material, and spatial logic.

By Structural Focus

ⓘ
How are these related?
Quiet Modernism relates practices through how form is organized rather than how it appears. Connections emerge through shared structural conditions — such as repetition, constraint, spatial organization, material behavior, or duration — even when outcomes differ.

A single grouping may reflect multiple overlapping structural concerns.
Mark Bradford
city as material
Helen Frankenthaler
color as landscape

In Dialogue

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The Atlas