Index Code:

ART-OAT-HAR

Orgin:

USA

Field Notes:

Plinths casts and printed faces pile up so that sculpture behaves like a crowded display rack

Defining Moment:

Assemblages where cheap props and art history citations share one unstable armature

Rachel Harrison

(

1966–

)

ray-chel hair-ih-son

Harrison built a world where sculpture becomes collage — objects, images, and cultural debris merged into humorous structural puzzles.

Her works expose perception as unstable construct.

Structural Focus

Process as Form

The method of making defines the structure. Repetition, accumulation, or procedure becomes the visible logic of the work.

In Rachel Harrison’s work, this approach appears where assemblage destabilizes composition.

Position

Process as Form

The method of making defines the structure. Repetition, accumulation, or procedure becomes the visible logic of the work.

In Rachel Harrison’s work, this approach appears where assemblage destabilizes composition.

Constructed Surfaces

Surfaces are built through layering, joining, and controlled fabrication.

Systems of Clarity

Order and coherence arise through disciplined systems and constraints.

Material

Material behavior governs form through weight, resistance, and constraint.

Space

Space is structured through openings, intervals, and boundary conditions.

Structure

Structure holds the work through rules, joins, and controlled relationships between parts.

Art

Form operates as a site for material, perceptual, and conceptual inquiry.

Contemporary

Current practice engages inherited structures under present conditions.

Rachel Harrison

Structural Focus

Process as Form

Position

Process as Form

Observartory

In Dialogue

Rachel Harrison

Structural Focus

Process as Form

Position

Process as Form

Observartory

By Structural Focus

In Dialogue